Showing posts with label new media. Show all posts
Showing posts with label new media. Show all posts

Wednesday, April 25, 2012

Going viral: Blurred Borders


I'm pleased to announce that Landscape+Urbanism will be featured along with some great company as part of the Voices Going Viral Exhibition and event developed by AIANY.   More information below.


The AIANY Global Dialogues committee has dedicated 2012 to “uncovered connections” with the intention to investigate issues that are similarly impacting multiple regions, cultures and individuals. Going Viral: Blurred Borders explores the impact that social media, technology and device culture are having on our design process, and ultimately the way we practice. How do we shape a global conversation? How are we changing the relationships between academia and the profession? What is the impact of hyper information sharing and critique? Throughout the evening, the topics of communication, research, collaboration, and data distribution will be addressed and debated.

Bjarke Ingels of BIG, Toru Hasegawa of Morpholio and Columbia University Cloud Lab, Carlo Aiello of eVolo, and David Basulto with David Assael of ArchDaily will come together for a lecture and panel discussion moderated by Ned Cramer, editor-in-chief of Architect. In addition, selected game changing blogs and websites will be exhibited as Voices Going Viral on the evening of the event. Please join us at the NY Center for Architecture on May 21st at 6:00 pm and online for further information and to RSVP.

The exhibit will feature a ton of great design blogs, so good company to share - and thanks to the curators for the inclusion, and of course thanks to all of you for reading.  Check out the full list in alphabetical order:

Apartment Therapy created by Maxwell Gillingham-Ryan and Janel Laban
ArchDaily created by David Basulto and David Assael 
Archidose created by John Hill
Archinect created by Paul Petrunia 
Architect’s Newspaper created by William Menking 
ArchitectureMNP created by Ryan McClain, co-founded by Kiye Apreala
Architizer created by Matthias Hollwich, Marc Kushner, and Benjamin Prosky
Archive of Affinities created by Andrew Kovacs
BLDGBLOG created by Geoff Manaugh
Blurr created by Ahmed Elhusseiny 
But Does It Float created by Folkert Gorter, Atley Kasky, & Will Schofield
Cooking Architecture created by Claire Shafer and Juan Jofre
The Cool Hunter created by Bill Tikos
Core 77 created by Eric Ludlum, Stuart Constantine, & Allan Chochinov
Culture Now created by Abby Suckle, Ann Marie Baranowski, Susan Chin, Diana Pardue, and Nina Rappaport
Curbed created by Lockhart Steele
Death by Architecture created by Mario Cipresso 
DesignBoom created by Birgit Lohmann & Massimo Mini
Design Sponge created by Grace Bonney
DesignReform created by CASE designreform.net Dezeen created by Marcus Fairs
e-Oculus created by the AIA New York Chapter 
eVolo created by Carlo Aiello
Inhabitat blog created by Jill Fehrenbacher
Landscape + Urbanism created by Jason King 
Mammoth created by Stephen Becker and Rob Holmes
Morpholio created by Mark Collins, Toru Hasegawa, & Anna Kenoff
Places Journal online created by Nancy Levinson, Harrison Fraker, William Drenttel, Jessica Helfand and Michael Bierut
Post Post created by David Jaubert
Project created by Alfie Koetter, Daniel Markiewicz, Jonah Rowen, & Emmett Zeifman

Credits: Global Dialogue Chairs: Bruce E. Fisher AIA and Jeffrey A. Kenoff AIA Event Co-Chairs: Elie Gamburg, Diane Chehab Design and Curatorial Team: James Kehl, Rebecca Pasternack, Ciara Seymour, Sarah E. Smith, Andy Vann 

Monday, February 20, 2012

GOOD Times in Portland

The recent event for GOOD Ideas for Cities happened last week in Portland, and generated some great dialogue.  I was also on one of the teams that presented.  A short recap.

:: custom notebooks by Scout Books
 "Each team was issued a challenge proposed by a local urban leader. At the event, the creative teams will present their solutions to their assigned challenge, and the urban leaders will join them onstage for a brief Q&A with GOOD Ideas for Cities editor Alissa Walker."  Teams included international talent from Wieden + Kennedy and Ziba Design, as well as local groups Sincerely Interested, THINK.urban, ADX, and the Official Manufacturing Company, all tackling some pressing (and not so pressing) urban ideas.

The event was held at Ziba's beautiful new HQ building in the Pearl District, and the sold-out event had some great people and conversations.  As you can see the packed house (including Mayor Sam Adams) is checking out Alissa from GOOD's intro, and had some great energy for the various groups.

 
:: image via Portland Mercury

My evolving side project THINK.urban, under development as a non-profit with fellow PSU Grad Students Allison Duncan and Katrina Johnston, was one of the teams, as mentioned above.  We've been slamming away on ideas for six weeks, and presented our ideas for world-class bike infrastructure, working from a challenge from Bikeportland.org's Jonathan Maus).

:: image via Portland Mercury 

As mentioned in a recap by Sarah Mirk from the Portland Mercury (check out the post for all of the ideas) - here's what we've been working on.
"CHALLENGE (from BikePortland.org editor Jonathan Maus): How can we create a major new bikeway that helps make bicycling as visible, safe, convenient, and pleasant for as many people as possible? 
IDEAS (from PSU grad student nonprofit THINK.Urban):  Take a cue from Europe and build two-way cycletracks on Portland's biggest streets. The two-way lanes would be separated from cars on streets like Sandy, Broadway, and Hawthorne, by a grassy median. "Prioritize bikes on the same level as cars. People are tired of looking at Europe. We want to see these things here now."
We were really happy with the ideas that were developed, honored to be in such great company, and looking forward to seeing this new bike infrastructure take root.  More on the ideas will be posted at THINK.urban, and I'll link them back here when they do. 

GOOD times.

Wednesday, January 18, 2012

Shrinking Cities: The Forgetting Machine

One of our supplementary readings for the Shrinking Cities group is the recent essay by Jerry Herron on The Design Observer entitled 'The Forgetting Machine: Notes Toward a History of Detroit.'  The author is from Wayne State and has been a resident of Detroit since the early eighties, so it avoids some of the outsider rhetoric, but he still differentiates himself as coming from out, not within.  Read his essay, as this is more of a 'notes on notes' take that is my reaction and parsing of his essay.  Worth a look.
 
 :: image via Design Observer

The idea of Detroit as a industrial powerhouse declining into a bastion of cliched ruin-porn makes it a much talked about as a cultural touchstone of the shrunken city phenomenon of the US.  Referred to by artist Camilo Jose Vergara and 'American Acropolis', the idea of preserving the 'ruins' as a tourist attraction, much like the Greeks, leads Herron discusses a similar relationship to the Roman ruins,  After commenting on the disinterest  by locals and the seeming paradox of outsiders being more fascinated by the city than those who occupy it, he turns this around as asks a powerful question:  

"who understands better what the place really means: the person who tries to remember it, or the one who lets it go?"

This becomes a fundamental dilemma surrounding a place that will never return to it's original state - but is not dead by any means.  I think of the lively energy of the contemporary city that I visited in the Fall, surrounding the 1000+ year old ruins of Rome and see a parallel in the larger lesson - that things always change, but the way we engage in that change, and in the sense of Detroit, the deterioration, tells much about us as a society.  As mentioned, the concept of what happens in Detroit isn't special per se, but for the fact that it is happening within a crumbling environment.  Thus as art, mentions Herron:  "things once tragic become beautiful — images for artistic appreciation — with the ravages of daily life being redeemed by photographic dignity."

I share the same fascination with the City of Detroit in images and through my visit and rumination since 2007 - and it puts me in the camp of the gawkers and outsiders, at least to the point where I peruse and am fascinated, but don't buy, the coffee table 'ruin porn' books like Detroit Dissassembled, and the newer The Ruins of Detroit (with an introduction by Thomas Segrue).  What is quoted by Herron from John Berger as 'mystification', where we distance ourselves from the actual phenomena at work - good and bad - and giving them a remoteness by making things art.


:: image via The Ruins of Detroit

The statements made by the photographs, particular referencing those in The Ruins, do not capture the essential rise and fall of Detroit, but seem to bask in the 'dead zone' shivering aesthetic of destruction, which leads Herron to posit:  "Perhaps the cliché-propagating idiom of ruin porn is so powerful that it simply takes over, duping otherwise intelligent artists into a tedious banality that not even the volume's pretentious scale and price can conceal."

So i know I shouldn't like the ruin-porn, but standing in the midst of it, in Detroit, is to experience first-hand the reality.  Perhaps it is somewhat less sanitized and 'framed' as in the photography, but the fact of it's very reality and other-worldly sense that this couldn't be happening, is part of what I think the art is trying to capture.  For me, it was summed up in the spectacle of the Michigan Central Station, which was one of the first massive ruins we encountered, and I still have a vivid memory of the experience (and no photos - i was literally absorbing and didn't think about taking a photo, which is rare).


:: image via Time

It's reductive, and it limits the stories behind the former beauty, and the nasty racial discrimination that was at work in the creation of something like the large Hudson's store on Woodward Avenue, captured in this image that shows the cutaway of the various departments inside the hive of mid-century activity which was vital to the "making of shoppers, like the making of citizens, was an essential function of both store and city, especially the city of middle-class arrivals made possible by the flourishing of modern industry".  This idealistic experience is another cultural ruin that no longer exists (as it was demolished by changes in commerce) - much like the building in which it used to happen.


:: image via Design Observer

The same fates, to a differing degree, befell many sites, like Hudsons, but the overlay of the old (ruin) and the new become something similar to Rome - a cafe right outside the Pantheon, or a gelato stand at the Colosseum... In Detroit, the Michigan Theater, for instance, was an architectural gem from the 1920s, which in the words of Herron was somewhat rudely transformed into a parking garage... "The old Michigan Theater is one of the most suggestive sights in the whole city of Detroit: neither an abandoned ruin nor a precious, restored fetish, but a working statement about making do with the past. The tenants of the offices adjacent to the theater threatened to move out unless they were provided with secure parking, so that’s what the landlord improvised out of the otherwise useless auditorium. And that is the genius of the place."



:: image via Design Observer

 As mentioned, the mechanism is based on the 'mystification', but is really what Herron calls 'site-specific forgetting' in which those people who occupy the city are intertwined within the processes of destruction - and it is not a binary question of one or the other side of a coin. 
"The ruin of urban space becomes a participatory drama: memory versus forgetting, the city dead or the city alive. The trick is seeing both at once, and comprehending them as equally true and mutually implicated."

Thursday, January 12, 2012

Soundtrack for Spaces - Next Generation

I have discussed the concept  previous posts on the 'Soundtrack for Spaces', where I was making connections between physical locations in the landscape and the potential to imbue place with appropriate musical accompaniment.  These varied, but included looking at the Fleet Foxes as driving music in the Columbia River Gorge, the video customization for Arcade Fire's 'The Wilderness Downtown', and another video stitched together from Google Street View clips.

The ideas at the time were somewhat nascent, and sort of hinted at the concept of adaptable, location-specific music responsive to place.  This was reinforced by reading one of William Gibson's latest novels called 'Spook Country', which discusses the concept of 'locative media' within the storyline, which means media that is delivered "directly to the user of a mobile device dependent upon their location."  Another thread was a tale of games of location-specific 'Urban Pacman' taking place in Portland - using the game-friendly layout of Ladd's Addition as a container. 


:: image via Robot Mutant

An article from a few weeks back in the NY Times - "Central Park, the Soundtrack" takes this idea to an entirely new level.  Bluebrain, a musical duo have created.  The first of the series looked at the National Mall, and the second, of these 'locational' music pieces, 'Listen to the Light' provides an experiential soundtrack for Central Park.  From the Times article:

"As you walk, new musical themes hit you every 20 or 30 steps, as if they were emanating from statues, playgrounds, open spaces and landmarks... The themes layer over one another, growing in volume as you approach certain points on the map and fading out as you move away. It’s a musical Venn diagram placed over the landscape, and at any time you might have two dozen tracks playing in your ears, all meshing and colliding in surprising ways. The path you take determines what you hear, and the biggest problem with what the composers call a “location-aware album” is that you may get blisters on your feet trying to hear it all."
The Venn diagram looks something like this, and the tracks reference GPS coordinates.  A diagram or map of the overlay of different musical phrases, from the Bluebrain site:
You can get a taste for the 'classical' inspired work as well.


Central Park (Listen to the Light) - A New Location Aware Album by BLUEBRAIN from BLUEBRAIN on Vimeo.

Definitely check out the slightly longer 'making of' video for "Listen to the Light" for more detail on the technical aspects.  It is somewhat difficult to assess whether the piece is a success or not, divorced from context, but that might be the point.  For those of us who have a constant soundtrack going through our head - which hits shuffle based on a word on a street sign or a sight of a sunset, it does lead one to think that there many possibilities that we are just scratching the surface.

Another interesting example mentioned in the article was GPS Beatmap: Planet as Control Surface, which uses location-specific positioning to mash-up musical phrases based on where you are. Check out a video of this in action here:


GPS Beatmap from Jesse Stiles on Vimeo.

It's pretty exciting, even in these simple formats - and it isn't difficult to envision new radio stations that are location-driven, where users can select a genre, plug in headphones, and participate in an immersive, place-based experience customized to their own particular 


For more, check out ASLA's The Dirt post on Bluebrain here.

Friday, December 16, 2011

THINK.urban - Infographic: Portland, King of Bikeopolis

Cross Posting from THINK.urban (12/20/11):  A simple variation on the biking infographic from yesterday, this animated version from GOOD shows how Portland leads in the bike wars, just barely, between US cities for percentage of commuters by bike.


Thursday, December 15, 2011

THINK.urban Infographic: Bicycling, the Present and Future

Cross Posted from THINK.urban:  A nice one from Sustainablog, with some juicy facts about biking today (and tomorrow). Graphic produced by WellHome.

Thursday, November 3, 2011

Data Appeal - Making Map-Landscapes

A follow-up on new mapping tools from the author of 'The Exposed City: Mapping the Urban Invisibles' (read a review of this great book here).  Nadia Amoroso alerted me to a new endeavor called Data Appeal, which provides tools for visualization of data through mapping in order to engage people in new ways.

London - Economic activity w/ Green Space
 Ms. Amoroso sent me some information to give a snapshot of this new tool, which she describes as:  "...a new way of geo-data visualization. This web-based  application takes geo-referenced data files and generates beautifully  designed 3D and animated maps. The application is ideal for anyone  interested in transforming their data into powerful, communicative, and  visually appealing messages."
 
Toronto - Green Space in Neighborhoods
As you can see, the aesthetic variations allow users to choose from many options of shapes and graphic tweaks such as color and transparency to fine-tune the end result.  This flexibility gives option for a number of different iterations to provide more lively 'datascapes' which will hopefully engage users in new ways.  A variation includes colors and different symbology, as seen below:
Ranking of Los Angeles Restaurants
 More from the site: "This  application merges analytics, modeling and art into a new data  visualization tool. In essence, it is a simplified GIS, and visual  geo-analytics tool. The team at DataAppeal wanted to create an  application in which individuals can analyze their data visually and at  the same time have fun with their information, by designing it in a way  that expresses the subject, and by transforming numbers in an artful  way."

Chicago Green Space - alternative view angle
The exciting aspect of the service currently is that it is available free, at least for now.  In the future, a premium version with advanced features, analytic options and more data-design options will be available.   As Amoroso mentions, there has been lots of interest in the site from government  agencies, municipalities, environmental agencies, universities,  research groups, geography associations, market analysis research  companies, news agencies, media groups, national defence agencies,  healthcare institutions, social enterprise, telecommunication companies,  cultural institutes, real estate agencies are typical users groups.

This tool has been created through a collaboration of GIS specialists  and artists to ensure that data is displayed in a more visually  appealing manner to create a stronger response to information.  The tool   builds on the dialogue from Amoroso and collaborators in her book, while providing a shared platform, easy data interface, and access to robust tools for customization and creation of maps for many uses.

Map with dashboard for customization
Stay tuned, as I plan to interview Nadia to get some additional information on the development and future plans for Data Appeal and how it can continue to expand our ability to generate innovative map-landscapes.  For now, check out the site, and peruse some of the features and demos to more - particularly some interactive sites related to New York City Population and Toronto Bars and Restaurant Ratings - where you can visit the map, data, and other pieces that go into the map creation and visualization. 



Tuesday, October 18, 2011

Unlocking LU 2: The Re-Representation of Urbanism

Continuing the thread of review for the new landscape urbanism website, I'm discussing 'The Re-Representation of Urbanism' by Gerdo Aquino, SWA Principal as well as educator and author of the book 'Landscape Infrastructure' (see L+U review here).  As a fundamental opening to his essay, Aquino mentions the major shift that has taken place towards urbanization and linking it to Odum's ecological idea of the 'carrying capacity' as these areas continually add more people.  It's interesting to think in these terms in numbers we can related to, so the example of the resource base for Los Angeles being about to support 1% of the current population is troubling - as it is a case in point (and a poignant example) of us living well above our means.


:: Los Angeles - image via City Photos

The other major theme mentioned is the use of adjectival modifiers of urbanism - ecological, new, everyday, combinatory, to name a few of the many.  The question isn't which of these is most appropriate, or 'right' but do they address the complexities of the city in meaningful ways and do they lead to appropriate actions.  In our search for solutions we tend to choose a dominant paradigm and stretch it to fit, rather than asking whether it is the right tool for a particular job.  As Aquino mentions:
"The study of cities needs to include many points of view in order to move beyond outmoded planning diagrams that no longer describe how to improve our cities. Despite so many variables, each of these terms argues for an ideas-rich platform for public debate, competition, and academic research in which the specificity of a particular factor can be magnified, examined, and explored in context."
Which is another way of saying a phrase I just heard again for the first time - "If you have a hammer, every thing looks like a nail".  So no self-respecting carpenter would carry one tool, but a box (or truck) full of potential solutions that work at varying scales.  Not to oversimplify cities - but you get the idea.  One of the most interesting ideas that landscape urbanism brings to the discussion, mentioned by Aquino in the article is that of a new relationship to graphic methods and imagery.  Many of the formative theories of LU look closely at mapping, representation, and as Aquino mentions:  "The collective visualization of our world..." which "...is even more important in influencing how we understand and think about urbanism and landscape."

The representation within disciplines is very important but sometimes missed as a key part of the discussion.  A softly rendered static watercolor perspective suffices for a view of a product, primarily because it is easier to convey than the complexity of urban systems and their dynamic properties.  The integration of science, particularly landscape ecology, chaos theory, and social dynamics, ramps up the number of urban variables to a degree where traditional representation crumbles.  Is the solution to retreat back to what is known and understandable (or more importantly, easy to convey as simplification to clients and others)?  Or do we take on the challenge of this, in Aquino's words - re-representation?

In this regard the essay references a 1997 article "Design by re-representation: a model of visual reasoning in design" by Rivka Oxman [link to PDF here] which Aquino summarizes below:
"...understanding design proposals requires both cognitive knowledge and visual literacy. Oxman’s research explores how emergence, or the way complex systems arise out of relatively simple connections, informs creativity and, particularly, the process of design. Design then can be understood as a culmination of thousands of decisions—and each representation offers a layer of meaning behind these complex ideas."
This is on the same theme as preliminary writings in 'Recovering Landscape' so again, this isn't really a new idea, but good to reinforce the concept of landscape architecture as a profession well suited for representational experimentation and the ability to capture fluidity and complexity, which is referenced in some of the major graphic convention evolutions during the first decade of this century.  Computers have became a significant tool not just in being able to automate techniques of collage, but also are beginning to aid in crunching significant quantities of data and more specifically, along with video and other media, represent motion and change over time, interrelationship of site actors, and to portray changes that occur on timelines too slow for our comprehension.

The second part of Aquino's essay focuses not on representation, but on actual places and the lack of a modern method of visual vocabulary for landscape architecture.  The profession is still mired in the pictorial scenery in the Olmstedian tradition (especially in North America) and architecture/urban design in the 'Main Street' utopia - so it becomes more difficult to give tangible examples of new ideas when the dominant visual and cultural paradigm is based on powerful, established imagery.  As Aquino mentions, "Landscape architecture... suffers from a poor collective visual vocabulary. The absence of prevalent and progressive design precedents hinders our ability to communicate our ideals for a better urbanism to a broader audience."

Part of the issue is in communication, the other part is more political - in actually convincing people that there is a better urbanism, and that the natural (or native) should not be the proper 'frame' for the ecological.  The debate of cultural frameworks and perceptions will continue to evolve as mentioned as we integrate more ecological thinking and systems into projects - but will they be required to fall into the fate of such techno-ecological marvels as Olmsted's Back Back Fens project - a landscape ecological urbanism in disguise as a natural wetland park?


Aquino then comes to the crux of the solution - and that is to build the work.  As he mentions:  "Educate through practice. Landscape architects, planners, and urbanists need built precedents to demonstrate that a more integrated approach to landscape and urbanism is possible. Policy and planning does not spark a collective re-imagination of our future in the way that tangible, built work does." 

This goes to the heart of the debate about landscape urbanism - and really becomes perhaps the wicked problem that we all face in trying to elaborate a new representational and methodological process.  At this point we have some of the fundamentals we want to achieve... flexibility, adaptability, indeterminacy and multiplicity... driven by ecological principles and woven into complex social and economic milieu - in response to cultural and market conditions.  This is the urbanism parts - the working aspects of cities and systems we want to address.


The problem with implementation - and with re-representation, is that we haven't actually figured out the representation part - so it is a giant leap to building.  While he offers examples - these are good works of urban planning and design, interdisciplinary landscape architecture, and innovative ecological solutions at work - but they aren't built works of landscape urbanism, and they aren't even really physical examples of the representational transformation of the disciplines... which haven't yet matured on the drawing boards, and definitely haven't been realized in the field.

I just don't see the connection between theory and practice being strong enough to justify a new label - and resistance within disciplines to new ideas notwithstanding, perhaps it will just become a natural maturation of all of the above disciplines with infusions of some aspects of new theory from all of the various 'urbanisms'.  It isn't really worthy of a label like 'landscape urbanism' or even 'landscape infrastructure' - although we do love new labels.  Is is okay to modify urbanism as 'study' and keep the disciplinary frameworks of applied methodology intact - so LU can influence and change and expand landscape architecture or architecture or planning without being considered a failed theoretical attempt?  I'd much rather see that than to try to formalize it into a method (ala New Urbanism) or to force projects into a new category of definition as Landscape Urbanism. 

Either way, I'm with Aquino partway, and agree that:  "Over the next decade, as the work communicated in words and pictures transforms into real places in the world, the public understanding of both urbanism and landscape architecture will expand, while new challenges and opportunities emerge for designers to tackle."

What we will call these works... these re-representations and re-implementations... that's the question?

Unlocking LU 1: Indeterminacy & Multiplicity

So as promised, I was planning on posting on some of the great content related to the initial issue on the Landscape Urbanism website.  The introduction by Sarah Kathleen Peck and Eliza Shaw Valk brings up some of the questions around the concept - with a focus on 'indeterminacy' and 'multiplicity' as well as looking at what drives the theory and discussion around landscape urbanism - namely what it is (or can be).



Surprising to many (but not surprising to most) - the goals of LU and many of the questions are not simple.  They are not about supplanting new urbanism, promoting suburban sprawl, evoking a nostalgia for le corbusian mega projects, or the many ill-conceived criticisms that have been thrown about by those threatened or at least too lazy to actually understand what's going on before condemnation.  The LU project, if you could call it that, is very succinctly presented in by Peck and Valk:
"We believe that we are trying to do something different. We are in uncharted territory because we are spinning new narratives. We are taking on new responsibilities, and we are approaching challenges with faceted lenses, recognizing and incorporating—with sense and sensibilities—the vast variety of interests, concerns, investments, and collisions that are the landscape of cities."
The interesting twist in all of this, and the reason for all this speculation - is also the root of most of the criticism of landscape urbanism.  The endeavor is about 'urbanism' as a concept related to study of urban areas, and not about creating solutions to specific problems.  This is old-school scholarship and theorizing - not using those two pathways in order to provide some semblance of a framework on which to hang an operational method.  So LU is criticized for its messiness, it's lack of coherence and clarity, and its willingness to acknowledge some of the ugly truths in our society.  Guess what?  That's what is being studied - so the methods have to match the context.  Cities are messy, they lack coherence and clarity, and often they are ugly both historically and currently - in terms of environmental pollution, social inequity, and as is being made evident in the recent occupation movement, economic disparity.

So we do the one thing we can.  We look, interpret, gauge, measure, hypothesize, and theorize.  As mentioned by Peck and Valk, "We err in the belief that landscape urbanism is a study, with parameters, but not an ideology. One conundrum among many."  Or, simply, we don't know - so we ask.  These are educated inquiries, but are driven by a lack of knowledge, not the knowledge that we have things figured out and want to offer a solution.  I feel that perhaps that is what is missing in the world right now.  The ability to look, and discuss - not in terms of solutions but in terms of asking the right questions and defining the right problems. 

So the issue tackles many of these themes in this vein, as Peck and Valk explain in their introduction, such as landscape urbanism "origins and future potential; its coherencies and incoherencies; and working definitions that hold the seemingly conflicting factors of space, time, indeterminacy, and multiplicity."    These are not just isolated questions about landscape urbanism theory that involves uni-disciplinary verbal masturbation or lionization of "new" methods for solving the worlds problems, but are related, fundamental questions about urbanism in general.  The goal is neither purely theoretical or academic or disconnected from on-the-ground practice, but is also fundamental to a greater understanding and application in the fields of architecture, landscape architecture, planning, and urban design.   The study, not as mentioned by the editors, is not an idealogy.  It is a journey and not a destination.

In subsequent posts I will look at some of this original content on landscape urbanism (the site) and focus on these fundamental questions related to landscape urbanism (the concept)... starting next with Gerdo Aquino's essay on 'the re-representation of landscape'.  Stay tuned.

Monday, October 10, 2011

Unlocking Landscape Urbanism

Right before I took off on my travels, the brand new Landscape Urbanism website launched with its first issue.  Due to the rigors of travel (you know, scenic vistas, wine, great food, etc.) I was not able to dig into the content before I left - but finally did manage to get all of it absorbed. And there's a ton of great content, as founder and editor-in-chief Sarah Kathleen Peck has assembled a wonderful group of editors, advisors, and amassed a great initial take on LU on this issue.



A bit about the overall concept of the site.
"Landscape urbanism (dot) com is a website for and about landscape, architecture, and urbanism—a resource and ongoing publication for people interested in cities, landscape, and design.  Landscape urbanism is an idea that process matters in design, that collaboration between disciplines is critical, and that complexity should be embraced as part of urbanism and landscape architecture. While many have argued that the ideas of landscape urbanism are too undefined or complicated, we think that through this publication and website, we can better explain and explore the ideas of landscape urbanism."
I think the key to this site, and perhaps it's most engaging idea, is the concept of a forum for understanding the concepts around landscape urbanism.  The ongoing debate varies widely, and to date there hasn't been an attempt to collect and more importantly engage with some of the key issues that make up the foundations of LU theory and practice.  It has the potential to provide a more systematic methodology (than a singularly authored blog) - proposing to explain all of the varying modes of thinking and the connections within - rather than to promote a particular ideology.  It also has the ability for ongoing dialogue and debate (not possible in print media).  The multiplicity of voices, some not typically heard until now, is another strength, in addition to the inclusive approach and interactivity - seen in this initial offering that is definitely exciting.

The focus of Issue #1 is fundamental to understanding of landscape urbanism, talking the concepts of indeterminacy and multiplicity, with a wide range of contributors including "...Christopher Gray and Shanti Levy illuminating the antecedents and legacies of landscape urbanism, SWA president Gerdo Aquino calls for more built works to bolster its role. Editor Eliza Valk haunts New York City’s parks puzzling terms and definitions, while Laura Tepper scurries across Dutch highways wondering what happened to a West 8 installation. Finally, website founder Sarah Peck interviews longtime blogger and landscape advocate Jason King; while further south, architects Thom Mayne and Karen Lohrmann and a UCLA design studio examine the future of America’s regional cities." 


In addition to the issues and an on-going blog, another aspect of the site in its initial phase is the section on 'Strategies' which aims to amass "a collection of built projects + conceptual work advancing the ideas and practice of landscape architecture and landscape urbanism."    The realization of work related to landscape urbanism has definitely been an ongoing topic of conversation, and a collection and critical dialogue related to works, if they do in fact exist, is long overdue.

I will provide some review of the content (maybe even a somewhat self-referential meta-review of my own interview on the site) in subsequent posts, so check out the articles and be ready with comments - as it is some thought-provoking stuff.

To everyone involved - a well-deserved thank you and congratulations!

Wednesday, June 8, 2011

Waldheim - LU Video

Say what you will about this crazy debate, I finally took an hour to watch this, and its a pretty interesting introduction to landscape urbanism.  Looking forward to seeing the CNU presentation and discussion - anyone know if that's going to be posted?


Sunday, May 22, 2011

1 million visitors

My blogging has tapered off recently due to going to school and running my business - but it's still exciting to see the overall number of visitors going over 1 million, which is a wonderful landmark for the site.  I'm definitely always looking to adapt and adjust the site for maximizing my understanding of landscape and urbanism - and hope all of you keep reading!

Tuesday, March 29, 2011

RBC: Urban Earth: Mumbai

Urban Earth: Mumbai  |  Raven-Elison & Askins

Urban Earth, with studies in Mumbai, Mexico City, and London:  Their approach: “walking across some of Earth’s biggest urban areas, to explore their spatial realities for the people who live there and challenge dominant media discourses regarding the places in which most of us now live.  The idea is to walk a transect across an urban area, taking a photograph every ten steps.” (84) 

The concept reminds me of Christopher Girot's essay 'Vision in Motion' in the Landscape Urbanism Reader (Waldheim, 2006), on the role of new representational techniques and the ability to document the interstitial, non-destination spaces, echoing Conan, the 'black holes' in the urban fabric that   “...have become the dominant feature of peripheries and urbanized countries… need to consider these long non-entities as probably equally significant as the most celebrated vistas…” (Waldheim 2006, p.100)

Each frame becomes a story which is fascinating on it's own although nothing you would typically document in the day to day.  Here's a random image of London from their Flickr stream...


And the transect is also interesting as an experience, alluding to Girot's new representational techniques, as seen in this great video of the stitched together for Mexico City:

(from Ecological Urbanism, Mostafavi & Doherty, eds. 2010, p.84-93)

Sunday, March 6, 2011

Reading the Landscape: A Reference Manifesto

As mentioned previously we are fully engaged in a group reading of the Landscape Urbanism Reader, edited by Charles Waldheim, and as promised, are providing some brief synopses of what transpired in the previous weeks dialogue are regular intervals.  Our first week was a soft launch, allowing folks to introduce themselves to the group, and then to comment on the Introduction by Waldheim, "A Reference Manifesto".

BACKGROUND: THE GROUP
For starters, I wanted to give a brief overview of our group members - so you have a feel for the who and what of this diverse array of contributors.  It's exciting to see the diversity (geographical, disciplinary, age, background, gender, and more) of the group as well as to have folks relatively new to LU theory and those with some experience.  A rough breakdown of two key metrics gives a snapshot of the group dynamics and global community made possible through our digital opportunities:

Disciplines:
Landscape Architecture/Design, Architecture, Real Estate Development, Planning, Civil Engineering, Graphic Design, Marketing, Sustainability Consulting, History and includes focus from Academia (both students and professors) and from a range of firms, universities, and experiences.

Locations:  
Shanghai, China; Portland, Oregon; Memphis, Tennessee; Seattle, Washington; Washington, D.C.; Nashville, Tennessee; Boston, Massachusetts;  Guelph, Ontario, Canada; Toronto, Ontario, Canada; Seoul, Korea; Charlottesville, Virginia; Austin, Texas; Somerville, Massachusetts; Los Angeles, California; Salida, California; London, UK; Manchester, UK; Rougemont, Switzerland;

WEEK ONE:  A REFERENCE MANIFESTO (Waldheim)
This is sort of a preliminary overview and snapshot of what's in the book - so it typically left the group with more questions than answers.  There was some good dialogue that referenced the distinction between those new to Landscape Urbanism and those with some background - as well as a few surprises from people that had initially read the book but were now revisiting it after some time.  The frontispiece included an image from Andrea Branzi - particularly his


The intro also includes the controversial and provocative excerpt from the text - outlining the 'discinplinary realignment' that places landscape in a more prominent position in terms of conceptualizing and production of urban space.


As a relatively open-ended intro, there were many perspectives - including some of those mentioned within the text such as global capital, de-industrialization and changes in the modes of economic production, increased importance of public infrastructure, decreased density & decentralization (surburbanization), cities as themed environments for tourism, commodification and homogeneity of form, waste & toxic landscapes, social pathologies, and prevalence of the automobile/paved surfaces, and the integration of ecological processes.

While Waldheim specifically frames these issues within the predominant themes of North American cities, many question the overall potential scope of LU - particularly in being able to address rapidly growing cities, density, and whether it is specifically oriented towards looking at suburbs instead of the city per se.  It echoes trends from a number of critics that the theory ignores specific existing conditions of growing cities and the rapidly changing nature of cities - folding into that concept the distinction of what is considered 'urban' today as densities, edge cities, and other non-central city agglomerations change our perceptions of the city.  There was also thinking about the different nature of deindustrialization between the ideas of Rust-Belt shrinking cities versus changes in the nature of production (a shift to the service economy) in cities that are still growing but changing in less physical and more social/economic ways.

Others mentioned questions related to the ideas of horizontality, the role of the car within, how is landscape defined within this context, the role of ecology, positions on capitalism, origins in postmodernism, and the role of nature (and our historical/cultural perspectives of it)...bringing in ideas from Leo Marx to William Cronon - as well as the role of Olmstedian designed pastoral scenery from the 19th Century.   Marx was brought up in terms of the concept of the triad of primitive, progressive, and pastoral views - specifically relating to the American viewpoint of its relationship with land derived from the frontier ethic and movement westward - which is a truly American phenomenon that has taken root in other locales that didn't experience the same relationship. This was mentioned as a source for some of the confusion related to LU theory - as it does focus on the progressive in that it acknowledges the technological and economic reality that influences our modern world (infrastructure, cars, decentralization).  The resulting view then is that by default, acknowledgment is akin to support.

Much attention was given to the concept of the 'horizontal field' as merely a "uni-directional urbanism" or in a broader viewpoint of a "multi-directional" schema capturing fluctuations of people, capital, communication.  Others   One reference connected this to Peter Walker's minimalist themes of flatness, seriality, and gesture - which provides a connection to postmodernism at least from the design perspectives of the 1980s. Even taking in the context of a field of operations, the horizontal field seems to be ambiguous, leading to questions of scale, how does agriculture fit in, is it relevant to the city or just the suburb, and ambivalence towards sprawl.  Others took a different reading of horizontality, seeing the references as "not to me so much a call to build cities this way but rather, an acknowledgment that they exist in this form." or that the views of horizontality are not limited to terrestrial or territorial expansion, but encompasses the surfaces at a variety of scales of rooftops and other urban spaces.  It is also important to mention that many point to the fact that Waldheim, although the originator of the term, does not speak for the movement as a whole - and others may have a more expansive viewpoint.

The idea of a new prominence for landscape architecture, a theme admired by many of the LAs in the group was also mentioned - whether as a "shot across the bow of the other design professions" or a true path to interdisciplinary methods with landscape architects as the synthesizing leaders of these teams.  Building on this idea is a broader viewpoint of landscape as a more holistic conceptual framework (not specifically applying to a discipline) that including the broad range of landscape elements, as well as the urban landscape that includes people and buildings as parts.  This distinction beyond 'greenery' to a broader view of landscape is vital - as there is a good amount of ambiguity in the word landscape that seems to stir up the already muddied theoretical waters - which definitely need to be addressed in LU as well as ecological urbanism and environmentalism in general.

Many offered ideas for ways of placing LU within larger theoretical frameworks such as New Urbanism, the work of Kevin Lynch (Image of the City), Aldo Leopold (A Sand County Almanac), Ian McHarg (Design with Nature), to a sprawling commentary (which I cannot begin to paraphrase in a meaningful way) covering foundations in philosophy from Aristotle & Plato, Copernicus & Aquinas, and Wittgenstein & Merleau-Ponty - attempting to place the concept and utility of themes in search of a Good Maxim in which to direct us. 

Many were and are intrigued by concepts within LU that attract many to the dialogue, such as process & systems thinking, catalyzation and staging, ecological thinking, focus on infrastructure, as well as interdisciplinary synthesis.  An overall theme however, which is the point of the reading and will provide some clarification, is that there are still a lot of questions and frustration about specifically what LU is proposing.  People mentioned: "...beyond simply describing urban processes as one-dimensional fields, LU theory would be better served by formulating a working framework for also analyzing the character of those phenomena." or "ways that these concepts can be applied for more useful ends that promote urban density and vibrancy rather than fetishizing their demise" or simply a desire to find "the positive side" of LU.

There was a strong desire for specific viewpoints on things like specific urban issues, a search perhaps for a working methodology of landscape urbanism. While some of these answers may be found in the text - there will also, like this chapter, result in more questions than answers... but then again, isn't that the point of urbanism?

Obviously this is a vast paraphrased oversimplification of many of the multivalent discussions at play  (even for a chapter so utterly lacking in real content) - so apologies for misrepresenting or missing any key points - so participants feel free to shoot an email or comment to clarify or expand on any of these points.

Next Steps...
We're currently wrapping up week 2, where we discussed Terra Fluxus (Corner) and Landscape as Urbanism (Waldheim) - so an update on both of these will be coming soon by members of the group.  Stay tuned for more.

Thursday, March 3, 2011

Got Something to Say?


 Landscape Urbanism is looking for essays, thoughts, ideas + innovative aproaches to landscape urbanism. We are looking for unique approaches to defining, understanding, communicating, and practicing landscape urbanism. Clarity of writing and communication are imperative. If you had to explain landscape architecture or landscape urbanism to the public, how would you describe it? Why does it matter? Why do designers do what they do? Why is landscape urbanism increasingly relevant and important? How will you be involved in changing the paradigms of design?

Shorts | 500-750 words | Short, timely, evocative thoughts on the status of landscape urbanism, events happening around the world, and new projects or ideas.

Features | 1000-2500 words | Feature-length essays. In-depth philosophies, questions, and discussions. Submit your feature essay here. 

Coverage | 250 words | Cover feature news stories and articles around the web and in print relating to landscape urbanism. 

To apply for the position, submit (3) sample coverage articles, with links, your spin (no more than 250 words), and a resume. Send applications to mail@landscapeurbanism.com. All submissions will be notified within 2-3 weeks regarding their status and anticipated publication date. Deadline for Launch Issue: April 2, 2011.

Tuesday, March 1, 2011

American Dream Survival Guide

An interesting project by David (d.e.) Sellers, called 'American Dream Survival Guide' offers a series of podcasts with a goal to "...spread information and propagate solutions and cooperation to tackle the challenges that face the U.S. in the 21st century"   The project is produced by Explore Lab Radio from the faculty of Architecture, Urbanism and Building Technology at Delft University of Technology in the Netherlands and will cover a range of topics from water, food, shelter, energy, and more.  Check out more about the project on Facebook.


From the site:  "Episode 1 is now available as a free download podcast on iTunes (go to the site do get the link).  This episode looks at a brief history of the American Landscape and the American Dream.  Lars Lerup, former Dean of the college of Architecture at Rice University,  comments on the suburban landscape and introduces his new book “1 Million Acres and No Zoning”.  Peter Calthorpe, founding member of the Congress for New Urbanism and acclaimed urban planner and architect, explains how we got where we are today as well as where we are going and how his new book “Urbanism in the Age of Climate Change” addresses current issues."

Tuesday, February 22, 2011

The Deconstructed City

Amazing new maps from an L+U favorite, Strange Maps, featuring 'A Taxonomy of City Maps:  "Imagined cities built from the fragments of real ones: something similar is happening in Tout bien rangé, a cartography-based artwork by French artist Armelle Caron. It consists of a series of map pairs, one a blind, but recognisably real city map, the other what looks like an assembly kit for that same city, with the its blocks impracticably but neatly arranged by shape and size."

A few selected cities such as New York (top) and Berlin (bottom) - click to enlarge images:


And a closeup of the two panels from Paris - to see some more detail:




As mentioned, "Caron strips cities of their spatial context. Roads and rivers become irrelevant, districts and parks disappear. The relationship between built-up areas and empty spaces is obliterated."  See more on Armelle Caron's website

Sunday, January 23, 2011

SHIFT:journal






SHIFT:infrastructure release + SHIFT:process call for submissions

The inaugural issue of SHIFT: suggests that the integration of natural systems into the built environment provides for a more sustainable model of landscape architecture in infrastructure design. However, the skillful employment of ecological principles does not necessarily ensure a culturally sensitive design. In the 21st century, Landscape Architecture faces the challenge of not only creating ecologically regenerative designs, but going so in a way that engages the public through education, community mobilization, and inspiration. This is important for the long-term viability of the design as well as its economic success.

How can we as students re-imagine the design process that engages modern culture (such as changes in media, communication technology,  and social networking)? This new process should holistically integrate the designer, the users, and ecology in the process of design. What does this process look like? Where does it take place? How do these processes improve on current techniques?


SHIFT: process calls for submissions from current students from any discipline, or student work from graduates within the past 2 years.  We are looking for work that encourages debate and discussion of this important topic through informed and academically rigorous creative thinking. Each submission will be reviewed by an independent jury, which is composed of nationally recognized leaders in Landscape
Architecture.

Submissions may be: academic essays (up to 3,000 words), narratives, project graphics including mixed media, or anything one considers key in communicating their ideas. We strongly encourage graphics, photography, diagrams, flash animation, stop motion animation, models, social networking tools, games, community building art forms, puzzles, interactive media of any kind, and...you get the idea. Each submission must include a concise written abstract with bibliography.

Visit the publication website and the student blog for more information.
Our student blog: shiftncsu.wordpress.com

Submissions are due by February 15th, 2011.
Questions? Please contact mnevans@ncsu.edu

Tuesday, December 21, 2010

Tales from Portlandia

As it is always important to laugh at oneself  - the 6-part IFC Original short-based comedy series PORTLANDIA, created, written by and starring Fred Armisen and Carrie Brownstein will premiere January 21, 2011 at 10:30 PM ET/PT. Each episode's character-based shorts draw viewers into "Portlandia," the creators' dreamy and absurd rendering of Portland, Oregon.



Bloody brilliant... Can't wait for more.

Tuesday, December 7, 2010

Zappata Romana

The ease of online mapmaking leads to a democratization of the dissemination of all forms of information.  In the spirit of Greenmaps, Italian firm Urban Architecture Project presents Zappata Romana, a simple, icon-based mapping of community-run green spaces on underused and abandoned areas in Rome.


Visualizza “ZAPPATA ROMANA”: community-run green areas _by studioUAP in una mappa di dimensioni maggiori

Some additional information about the project:  "About 50 community-run green areas mapped: little urban gardens, play yards, edible gardens and areas for walking, resting, or simply talking. Citizens and associations acting together to reclaim the abandoned areas in Rome. More than 100 sites together with the 65 spontaneous gardens registered by the Rome municipality.  Urban farms too and other interesting experiences such as Partecipation Houses, “Punti Verdi Qualità” and green areas maintained by established associations." 


Imagine the growing potential, using shared geographical data from a global resource (in this case, the ubiquitous Google Map) - how the layering of information has grown, and will continue to do so, due to tools that are easy to manipulate with little technical expertise and little to no cost.  For a similar project, check out my Beta version of the PDX Greenmap - which aims to feature a range of sustainable sites and strategies around Portland (more info here).

Maps=Information
Information=Power [thus]
Maps=Power.