Showing posts with label representation. Show all posts
Showing posts with label representation. Show all posts

Wednesday, April 25, 2012

Going viral: Blurred Borders


I'm pleased to announce that Landscape+Urbanism will be featured along with some great company as part of the Voices Going Viral Exhibition and event developed by AIANY.   More information below.


The AIANY Global Dialogues committee has dedicated 2012 to “uncovered connections” with the intention to investigate issues that are similarly impacting multiple regions, cultures and individuals. Going Viral: Blurred Borders explores the impact that social media, technology and device culture are having on our design process, and ultimately the way we practice. How do we shape a global conversation? How are we changing the relationships between academia and the profession? What is the impact of hyper information sharing and critique? Throughout the evening, the topics of communication, research, collaboration, and data distribution will be addressed and debated.

Bjarke Ingels of BIG, Toru Hasegawa of Morpholio and Columbia University Cloud Lab, Carlo Aiello of eVolo, and David Basulto with David Assael of ArchDaily will come together for a lecture and panel discussion moderated by Ned Cramer, editor-in-chief of Architect. In addition, selected game changing blogs and websites will be exhibited as Voices Going Viral on the evening of the event. Please join us at the NY Center for Architecture on May 21st at 6:00 pm and online for further information and to RSVP.

The exhibit will feature a ton of great design blogs, so good company to share - and thanks to the curators for the inclusion, and of course thanks to all of you for reading.  Check out the full list in alphabetical order:

Apartment Therapy created by Maxwell Gillingham-Ryan and Janel Laban
ArchDaily created by David Basulto and David Assael 
Archidose created by John Hill
Archinect created by Paul Petrunia 
Architect’s Newspaper created by William Menking 
ArchitectureMNP created by Ryan McClain, co-founded by Kiye Apreala
Architizer created by Matthias Hollwich, Marc Kushner, and Benjamin Prosky
Archive of Affinities created by Andrew Kovacs
BLDGBLOG created by Geoff Manaugh
Blurr created by Ahmed Elhusseiny 
But Does It Float created by Folkert Gorter, Atley Kasky, & Will Schofield
Cooking Architecture created by Claire Shafer and Juan Jofre
The Cool Hunter created by Bill Tikos
Core 77 created by Eric Ludlum, Stuart Constantine, & Allan Chochinov
Culture Now created by Abby Suckle, Ann Marie Baranowski, Susan Chin, Diana Pardue, and Nina Rappaport
Curbed created by Lockhart Steele
Death by Architecture created by Mario Cipresso 
DesignBoom created by Birgit Lohmann & Massimo Mini
Design Sponge created by Grace Bonney
DesignReform created by CASE designreform.net Dezeen created by Marcus Fairs
e-Oculus created by the AIA New York Chapter 
eVolo created by Carlo Aiello
Inhabitat blog created by Jill Fehrenbacher
Landscape + Urbanism created by Jason King 
Mammoth created by Stephen Becker and Rob Holmes
Morpholio created by Mark Collins, Toru Hasegawa, & Anna Kenoff
Places Journal online created by Nancy Levinson, Harrison Fraker, William Drenttel, Jessica Helfand and Michael Bierut
Post Post created by David Jaubert
Project created by Alfie Koetter, Daniel Markiewicz, Jonah Rowen, & Emmett Zeifman

Credits: Global Dialogue Chairs: Bruce E. Fisher AIA and Jeffrey A. Kenoff AIA Event Co-Chairs: Elie Gamburg, Diane Chehab Design and Curatorial Team: James Kehl, Rebecca Pasternack, Ciara Seymour, Sarah E. Smith, Andy Vann 

Friday, April 20, 2012

Got History?

Hawthorne & 50th (1936)
Aerial View of Portland (1936)
My fascination with history and place is no secret.  While i am intrigued with urban history in many forms, there's always a desire for a connection with the place you inhabit.  Typically this fascination comes via maps, which have been well documented, but the timeline of the past 150 years plus of Portland is worth a bit of investment.   For folks on the go, there's also an app that highlights historical site - prepared by the Architectural Heritage Center.  Also a new site, WhatWasThere, is a crowd-sourced version that allows folks to upload history photos of their places.

In addition, there are a number of other sources that augmented by a number of great resources that are provided by city and other historical society archives.  Each has some overlap but occupies a unique and often personal niche for the blogger and site owner - to scratch their particular history itch, and all make for some great information.

A veritable decoupage of historical imagery awaits at Portland History - a no-frills site that organizes images, postcards, and a few words - sorted into categories like streets, amusement parks,  A good shortcut is to go the site map, which gives some links to the categories - but just randomly moving around the site isn't a bad idea either.

Council Crest, the Dreamland of Portland, Oregon


Lost Oregon is a great example of an engaging history tour, albeit typically focused on architecture and riddled with some really bad theme ideas like this one.  The site is simple and delves into some more details about some of the areas, buildings, and locations - which augments what is somewhat visually based on other sites.



A spinoff of Lost Oregon writer is PDX: Then/Now which juxtaposes historic and current photos of buildings and places.  Some show destruction or evolution, and some, such as the Union Bank Building in Downtown, are eerily similar over 40 years later.



Vintage Portland is another site 'exploring portland's past', through "...photographs, postcards, illustrations, advertisements, etc. ... It’s not a history lesson, it’s not an architectural critique. It’s a forum for displaying photos of the city’s past, to show how we lived, what we’ve lost (for good or bad) through progress and just to enjoy some wonderful camera work."

I particularly appreciate the 'mystery' posts - which show a building, corner, streetscape - with a question to help find where the site is.  Sometimes it's to fill in a missing link to an archival photo, but other times it becomes more of a game.  The context over time is fascinating evolution - and really highlights the impermanence/permanence of the urban realm.  This shot of MLK @ Ainsworth from the north - replace Texaco with Starbucks (old fuel/new fuel?) and Gilmore with Popeyes (old grease/new grease?).


Cafe Unknown is a new one for me, but author Dan Haneckow pulls you in with compelling history (more text than other sites) along with some good images.  A recent post on Mark Twain in Portland is a good read, and some of the trivial pursuits are great - like Will- vs. Wall- for our fair river (which subsequently ended up 'Willamette') are nuggets of pure gold.  Haneckow is a true historical writer - with the requisite head shots of historical figures quoted... along with some really solid writing and research.  These walking tour images were pretty interesting finds - along with the story of a missing sculpture found.  This stuff is priceless - and firmly about our place.



Check all of these resources out - It is true - you will be sucked in for a few hours/days/weeks - and might come out forever changed.   I feel like a landscape or at least urbanism oriented history site wouldn't be a bad endeavor - if someone is inclined to collaborate - look me up.  But the caveat on these sites, and historical maps, photos, and primary materials - it's addictive.  Don't say i didn't warn you.

Thursday, April 19, 2012

Essay in 'Atlantis' Magazine

I am happy to report that a recent essay was published in 'Atlantis' Magazine, which is published by Polis and collects writings that make "...the link between students, academics and professionals besides the Polis activities. This magazine is our medium to keep you as member up to date about everything going on in the urbanism & landscape architecture world.  The issue 22.4 discusses concepts around the 'Urban Landscape' and features contributions from a wide range of authors.

The essay "Land- 'scape' / Land- 'space':  Pedantic, Semantic or just Anagrammatic" is a tongue-in-cheek play on words that carries with it a more serious message.  The dialogue around landscape urbanism has been called pedantic, and the splitting of hairs could be dismissed, particularly by those uninformed and who disagree with the concepts, as mere semantics.  The anagrammatic is purely a place on words.  The content, revolving around an exploration of the terms 'landscape' and 'urbanism', and more specifically the parallels of the anagrammatic terms 'space' and 'scape' begin the discussion. 

 


Using definitions from JB Jackson's essay 'The Word Itself', the parallels between space and scape are delineated, as Jackson's cultural reading of landscape as "...a composition of man-made or man-modified spaces to serve as infrastructure or background for our collective existence.” (Jackson, Discovering the Vernacular Landscape, 1984)  This expands our idea of landscape beyond scenery and greenery to encompass a more broad understanding of 'context'. 

Urbanism is also investigated, starting with Wirth's 1938 essay 'Urbanism as a Way of Life' and tracing the divergence of urbanism as 'study' to that of action.  I claim we need to differentiate between the study of urban areas and the design and planning activities. This will allow us to operate in a shared space for dialogue:
"Thus study equates to urbanism (of which there can be many types of study), and practice equates to disciplinary modes and interdisciplinary contexts, such as urban design, architecture, landscape architecture and planning (of which there can be many types of solution). The distinction allows us to avoid binary argument because there are infinite types of study and methods of solving problems – each driven by the unique context. Dialogue and critique can still operate – but there will more transparency and it won’t be summed in an either/or proposition. The complexity of urban areas in our contemporary world is too immense for only one of two solutions"
The end along with a call for more clarity in writing about these terms, specifically the need for clear definitions when discussing terms.  We are too loose with terminology today, and the overall impact and reach of our discussion suffers from this. Whichever way you choose to interpret and intervene the urban conditions, there needs to be shared understanding of fundamental issues, because, as I mention: "In the end, no discussion or argument (binary or otherwise) is worth much if it happening around vague language..."

Comments and discussion, with clear definitions, always welcome.

Check out the entire magazine online here, or click to download a PDF of the article here.

Friday, April 6, 2012

Kerb 20 Seeking Submissions

Kerb is one of best journals out there for landscape architecture - and you can be part of their next issue around the topic 'speculative narrative'.  Here's the call for submissions:

KERB 20 IS SEEKING SUBMISSIONS OF ESSAYS/PROJECTS/ 
ARTWORKS/ STORIES ETC

Speculative narrative and the potential of imagination are important factors in creative production. It is considered that a multitude of small stories are the “quintessential form of imaginative invention” (source). 


Speculation through narrative offers an apparatus through which we may investigate the concept of ‘reality’. Immersed within our current understandings, speculation is influenced by our contemporary condition. In these fictional dispositions, the variables and constraints of ‘reality’ can be controlled, omitted completely or utilized as key motives for the foundations of new territories.

Speculative Narrative can be an exploration of idealistic scenarios, the fossilization of information, or the creation of fantastical realms.

This allows the model of design to move beyond problem solving, crisis management and project liberation from the constraints of our existence. The augmentation through speculative narrative, enables the reshaping of current processes, understandings and disciplines.

Speculative Narrative makes it possible to redefine ‘present’ and ‘future’. Kerb is an annual cross-disciplinary design publication produced by the RMIT University School of Architecture and Design in Melbourne, Australia.


Kerb is a progressive design journal focused on contemporary landscape architecture issues from an international and national perspective. Submit to:  kerb@ems.rmit.edu.auby 4 May, 2012 and for more information regarding submission requirements please visit our website at www.kerbjournal.com or our Facebook page at www.facebook.com/kerbjournal

Tuesday, March 20, 2012

Guest Post: The Other Plane

The Porter House project by SHoP Architects doesn’t quite sit right with the eye. Greg Pasquarelli, one of the founding principals of the New York firm, gave a great lecture at the University of Washington last year in which he elaborated on the achievement of finding an innovative solution to the challenge of expanding the 1905 6-story condominium building. Rather than competing with the historic architecture, the new addition distinguishes itself with a modern zinc façade.

 


While the strategy seems logical, the image of the building is still daunting for the sole reason of what it visually implies. The new addition, though connected to the existing building below, starts to suggest a different kind of development, a different kind of cityscape where buildings start to layer on top of each other.  The phenomenon of air space and air space rights is not a new concept yet with the increasing density of our urban areas, it has become more relevant than ever. If the elevator was an invention that enabled us to build vertically, then can air space rights start to shift our infrastructure “plane” up as portrayed in the movie The Fifth Element?


The movement has begun. Whether it’s to trek through New York City on The High Line or to connect seven separate Linked Hybrids via skybridges in China, these projects offer a form of route alternate from the ground plane. The visual impact on the city’s skyline is hard to overlook and as a collective, they makes the vision of The Fifth Element city more plausible than ever. More significantly, air space rights provide a different lens in looking at some of the similar (but smaller scale) local projects. One can only start to imagine the unraveling of the vertical plane in Seattle.


Ji Shon is currently pursuing a dual degree in Master of Architecture and Master of Science in Real Estate at the University of Washington while working for the Neighborhood Design Build Studio. Upon graduation, she intends to combine the two fields and pioneer in bringing excellent design and responsible development in urban areas. She could be reached at jshon@uw.edu for questions or comments.

Friday, March 9, 2012

Building a Bike Highway

The video of the presentation for GOOD Ideas for Cities is up, along with a nice write-up from organizer Alissa Walker from GOOD - so enjoy. Also check out some more detail, and download a PDF of the presentation over at the THINK.urban site.

Thursday, January 12, 2012

Soundtrack for Spaces - Next Generation

I have discussed the concept  previous posts on the 'Soundtrack for Spaces', where I was making connections between physical locations in the landscape and the potential to imbue place with appropriate musical accompaniment.  These varied, but included looking at the Fleet Foxes as driving music in the Columbia River Gorge, the video customization for Arcade Fire's 'The Wilderness Downtown', and another video stitched together from Google Street View clips.

The ideas at the time were somewhat nascent, and sort of hinted at the concept of adaptable, location-specific music responsive to place.  This was reinforced by reading one of William Gibson's latest novels called 'Spook Country', which discusses the concept of 'locative media' within the storyline, which means media that is delivered "directly to the user of a mobile device dependent upon their location."  Another thread was a tale of games of location-specific 'Urban Pacman' taking place in Portland - using the game-friendly layout of Ladd's Addition as a container. 


:: image via Robot Mutant

An article from a few weeks back in the NY Times - "Central Park, the Soundtrack" takes this idea to an entirely new level.  Bluebrain, a musical duo have created.  The first of the series looked at the National Mall, and the second, of these 'locational' music pieces, 'Listen to the Light' provides an experiential soundtrack for Central Park.  From the Times article:

"As you walk, new musical themes hit you every 20 or 30 steps, as if they were emanating from statues, playgrounds, open spaces and landmarks... The themes layer over one another, growing in volume as you approach certain points on the map and fading out as you move away. It’s a musical Venn diagram placed over the landscape, and at any time you might have two dozen tracks playing in your ears, all meshing and colliding in surprising ways. The path you take determines what you hear, and the biggest problem with what the composers call a “location-aware album” is that you may get blisters on your feet trying to hear it all."
The Venn diagram looks something like this, and the tracks reference GPS coordinates.  A diagram or map of the overlay of different musical phrases, from the Bluebrain site:
You can get a taste for the 'classical' inspired work as well.


Central Park (Listen to the Light) - A New Location Aware Album by BLUEBRAIN from BLUEBRAIN on Vimeo.

Definitely check out the slightly longer 'making of' video for "Listen to the Light" for more detail on the technical aspects.  It is somewhat difficult to assess whether the piece is a success or not, divorced from context, but that might be the point.  For those of us who have a constant soundtrack going through our head - which hits shuffle based on a word on a street sign or a sight of a sunset, it does lead one to think that there many possibilities that we are just scratching the surface.

Another interesting example mentioned in the article was GPS Beatmap: Planet as Control Surface, which uses location-specific positioning to mash-up musical phrases based on where you are. Check out a video of this in action here:


GPS Beatmap from Jesse Stiles on Vimeo.

It's pretty exciting, even in these simple formats - and it isn't difficult to envision new radio stations that are location-driven, where users can select a genre, plug in headphones, and participate in an immersive, place-based experience customized to their own particular 


For more, check out ASLA's The Dirt post on Bluebrain here.

Friday, December 16, 2011

THINK.urban - Infographic: Portland, King of Bikeopolis

Cross Posting from THINK.urban (12/20/11):  A simple variation on the biking infographic from yesterday, this animated version from GOOD shows how Portland leads in the bike wars, just barely, between US cities for percentage of commuters by bike.


Thursday, December 15, 2011

THINK.urban Infographic: Bicycling, the Present and Future

Cross Posted from THINK.urban:  A nice one from Sustainablog, with some juicy facts about biking today (and tomorrow). Graphic produced by WellHome.

Thursday, November 3, 2011

Data Appeal - Making Map-Landscapes

A follow-up on new mapping tools from the author of 'The Exposed City: Mapping the Urban Invisibles' (read a review of this great book here).  Nadia Amoroso alerted me to a new endeavor called Data Appeal, which provides tools for visualization of data through mapping in order to engage people in new ways.

London - Economic activity w/ Green Space
 Ms. Amoroso sent me some information to give a snapshot of this new tool, which she describes as:  "...a new way of geo-data visualization. This web-based  application takes geo-referenced data files and generates beautifully  designed 3D and animated maps. The application is ideal for anyone  interested in transforming their data into powerful, communicative, and  visually appealing messages."
 
Toronto - Green Space in Neighborhoods
As you can see, the aesthetic variations allow users to choose from many options of shapes and graphic tweaks such as color and transparency to fine-tune the end result.  This flexibility gives option for a number of different iterations to provide more lively 'datascapes' which will hopefully engage users in new ways.  A variation includes colors and different symbology, as seen below:
Ranking of Los Angeles Restaurants
 More from the site: "This  application merges analytics, modeling and art into a new data  visualization tool. In essence, it is a simplified GIS, and visual  geo-analytics tool. The team at DataAppeal wanted to create an  application in which individuals can analyze their data visually and at  the same time have fun with their information, by designing it in a way  that expresses the subject, and by transforming numbers in an artful  way."

Chicago Green Space - alternative view angle
The exciting aspect of the service currently is that it is available free, at least for now.  In the future, a premium version with advanced features, analytic options and more data-design options will be available.   As Amoroso mentions, there has been lots of interest in the site from government  agencies, municipalities, environmental agencies, universities,  research groups, geography associations, market analysis research  companies, news agencies, media groups, national defence agencies,  healthcare institutions, social enterprise, telecommunication companies,  cultural institutes, real estate agencies are typical users groups.

This tool has been created through a collaboration of GIS specialists  and artists to ensure that data is displayed in a more visually  appealing manner to create a stronger response to information.  The tool   builds on the dialogue from Amoroso and collaborators in her book, while providing a shared platform, easy data interface, and access to robust tools for customization and creation of maps for many uses.

Map with dashboard for customization
Stay tuned, as I plan to interview Nadia to get some additional information on the development and future plans for Data Appeal and how it can continue to expand our ability to generate innovative map-landscapes.  For now, check out the site, and peruse some of the features and demos to more - particularly some interactive sites related to New York City Population and Toronto Bars and Restaurant Ratings - where you can visit the map, data, and other pieces that go into the map creation and visualization. 



Thursday, October 13, 2011

Europe Journal: Home Base

An interesting aspect of the European journey was the ability not to stay in hostels or hotels, but to live in some of the places that people actually inhabit in these cities.  This was done courtesy of crashing on my sisters couch in London, and utilizing the fabulous air.bnb for finding amazing flats to stay at along the way (highly recommended btw). 

This yielded an interesting experience in understanding cities not as a tourist, but in the words of Rick Steves - as a "temporary local".  More on some of these home bases and the ways in which one connects with a certain neighborhood, but for now, I found it interesting, via Google Earth, to look at the locations in comparison of urban form - each one at approximately the same scale - with a yellow dot on where we lived.

London  (Waltham Forest)



Barcelona (Gracia)


Rome (2 locations in Coliseum/Forum area)


Siena (near the Duomo)


Tuesday, October 11, 2011

Europe Journal: Signs of the Times

A photographic exploration of a few of the more interesting tidbits of signage from the recent travels to Europe.  Enjoy.


Sad day when you need prohibit street musicians (London)

Excellent advice for those from the states (London)

Creative sign manipulation (London)
The Catalan spirit continues (Barcelona)

Closeup of doors of the Sagrada Familia (Barcelona)
Taking advantage of contrast on the Mediterranean Sky (Florence)
The Communal Water - Gaia Fountain in Il Campo (Siena)


A metaphor riffing on 'Dead End Street'?  (Rome)

Remnants of Roman Power - Obelisk in the Piazza de Popolo (Rome)


Cardinal directional markers in St. Peters Square (Vatican City)

Monday, October 10, 2011

Unlocking Landscape Urbanism

Right before I took off on my travels, the brand new Landscape Urbanism website launched with its first issue.  Due to the rigors of travel (you know, scenic vistas, wine, great food, etc.) I was not able to dig into the content before I left - but finally did manage to get all of it absorbed. And there's a ton of great content, as founder and editor-in-chief Sarah Kathleen Peck has assembled a wonderful group of editors, advisors, and amassed a great initial take on LU on this issue.



A bit about the overall concept of the site.
"Landscape urbanism (dot) com is a website for and about landscape, architecture, and urbanism—a resource and ongoing publication for people interested in cities, landscape, and design.  Landscape urbanism is an idea that process matters in design, that collaboration between disciplines is critical, and that complexity should be embraced as part of urbanism and landscape architecture. While many have argued that the ideas of landscape urbanism are too undefined or complicated, we think that through this publication and website, we can better explain and explore the ideas of landscape urbanism."
I think the key to this site, and perhaps it's most engaging idea, is the concept of a forum for understanding the concepts around landscape urbanism.  The ongoing debate varies widely, and to date there hasn't been an attempt to collect and more importantly engage with some of the key issues that make up the foundations of LU theory and practice.  It has the potential to provide a more systematic methodology (than a singularly authored blog) - proposing to explain all of the varying modes of thinking and the connections within - rather than to promote a particular ideology.  It also has the ability for ongoing dialogue and debate (not possible in print media).  The multiplicity of voices, some not typically heard until now, is another strength, in addition to the inclusive approach and interactivity - seen in this initial offering that is definitely exciting.

The focus of Issue #1 is fundamental to understanding of landscape urbanism, talking the concepts of indeterminacy and multiplicity, with a wide range of contributors including "...Christopher Gray and Shanti Levy illuminating the antecedents and legacies of landscape urbanism, SWA president Gerdo Aquino calls for more built works to bolster its role. Editor Eliza Valk haunts New York City’s parks puzzling terms and definitions, while Laura Tepper scurries across Dutch highways wondering what happened to a West 8 installation. Finally, website founder Sarah Peck interviews longtime blogger and landscape advocate Jason King; while further south, architects Thom Mayne and Karen Lohrmann and a UCLA design studio examine the future of America’s regional cities." 


In addition to the issues and an on-going blog, another aspect of the site in its initial phase is the section on 'Strategies' which aims to amass "a collection of built projects + conceptual work advancing the ideas and practice of landscape architecture and landscape urbanism."    The realization of work related to landscape urbanism has definitely been an ongoing topic of conversation, and a collection and critical dialogue related to works, if they do in fact exist, is long overdue.

I will provide some review of the content (maybe even a somewhat self-referential meta-review of my own interview on the site) in subsequent posts, so check out the articles and be ready with comments - as it is some thought-provoking stuff.

To everyone involved - a well-deserved thank you and congratulations!

Friday, October 7, 2011

Europe Journal - Green Wall Art

Sep. 17:  On a rainy day next to Trafalgar Square we discovered a somewhat odd installation of a living wall adjacent to the National Gallery which I of course had to sprint over to check out. 



Closer inspection shows it to be a living representation of Van Gogh's 'A Wheatfield with Cypresses' painted in 1889 and rendered here in a variety of plantings.  As sponsor GE mentions, the idea is to bring art to life... and they also have developed a companion website that includes a montage of photos from viewers that tweet photos of the installation.


Is the translation from art to living wall a success... I guess that is in the eye of the beholder.  Decide for yourself.



Thursday, September 1, 2011

The Real

In contrast to the previous post of the ethereal, an amazing collection from Nigel Christian's blog 'This City Called Earth' which, in his words:  "combines my sociologist’s interest in theories of urbanisation, globalisation and post-nature with my photographer’s love of street portraiture and the hard beauty of the built environment."   The expansive group emerges by Christian collecting submissions from around the globe on his Flickr group of the same name, and will definitely leave you mesmerized by their beauty and diversity - sort of like life.

(Aerial view of Jodhpur)
(Relaxing in Portugal)

(Industrial area in Tacoma)

I could post about a million of my favorites - here's a few more... check it out for yourself and visit the site or flickr for citations and credits....


 (Street scene in Tokyo)

  (Unknown) - haunting image, no?

All images via This City Called Earth. 

Thursday, July 21, 2011

Source: Terrain Vague - de Sola Morales

A formative source in thinking about indeterminant spaces is Terrain Vague, a 1995 essay by Spanish Architect Ignasi de Sola-Morales.  The essay starts with a discussion of the idea of photography, which is mentioned by the author as vital to our understanding, particularly through photomontage and their inventive juxtaposition of forms, aiding our ability to explain the urban realm. Conversely, with its ability to frame and 'edit' the urban conditions - resulting in a disconnect of image from reality.  As mentioend by de Sola-Morales, "When we look at photographs, we do not see cities - still less with photomontages.  We see only images, static framed prints." (109)  From this jumping-off point of photography comes the 'non-space' of terrain vague, as defined by the author:

"Empty, abandoned space in which a series of occurrences have taken place seems to subjugate the eye of the urban photographer.  Such urban space, which I will denote by the French expression terrain vague, assumes the status of fascination, the most solvent sign with which to indicate what cities are and what our experience of them is." (109)

The etymology of the definition is explored, due to the lack of a clear translation into English.  First, the concept of terrain (as opposed to the concept of land) is more expansive, including more spatial connotations and the idea of a plot of land fit for construction, meaning that it has more direct ties to the urban.  Vague, on the other hand - has ties to a range of ideas.  From German 'woge' which is tied to the movement of seas - we get "movement, oscillation, instability, and fluctuation."  From French, the roots lie in 'vacuus', which yields connotations of vacancy, emptiness, and availability.  Another meaning is derived from the Latin 'vagus' which is most closely related to the origins in landscape urbanism thinking giving "the sense of 'indeterminate, imprecise, blurred, and uncertain.'"  (110)

Thus the dual concept of a plot of land defined by indeterminacy is the key to understanding of terrain vague, which has both a spatial as well as a social connection - defined by what it is, but that being specifically defined by how the space is used.  As de Sola Morales mentions, these become "spaces as internal to the city yet external to its everyday use.  In apparently forgotten places, the memory of the past seems to predominate over the present." (110)

These spaces have an innate duality - due to their marginalization, they have the sense of externality ot the order and security of the city making them alluring as a way of out the typically homogenized urban realm, meaning they become "both a physical expression of our fear and insecurity and our expectation of the other, the alternative, the utopian, the future." (111)  Identified as a certain 'strangeness' which has been cataloged throughout urban history as tied to the social dislocation of our shift to urban dwellers - most notably captured in Georg Simmel's 'The Metropolis and Mental Life' and our evolution to the blase cosmopolitan. 

This is captured by de Sola-Morales as 'estrangement' which becomes the formative construction of the terrain vague: "The photographic images of terrain vague are territorial indications of strangeness itself, and the aesthetic and ethical problems that they pose embrace the problematics of contemporary social life. What is to be done with these enormous voids, with their imprecise limits and vague definition?"   Thus these become fertile ground for artists whom "seek refuge in the margins of the city precisely when the city offers them an abusive identity, a crushing homogeneity, a freedom under control.  The enthusiasm for these vacant spaces - expectant, imprecise, fluctuating - transposed to the urban key, reflects our strangeness in front of the world, in front of our city, before ourselves." (112)


Terrain Vague is a difficult concept - being essentially 'non-design'- but is also powerful in its ability to theorize on the margins of the ordered world in which we reside.  On the difficult side, the actions of a designer is somewhat in opposition to the unstructured configuration of these spaces.  As de Sola Morales mentions:  "the role of the architect is inevitably problematic.  Architecture's destiny has always been colonization, the imposing of limits, order, and form, the introduction into strange space of the elements of identity necessary to make it recognizable, identical, universal."  (112)  This innate desire to transform disorder into order leads to a catch-22 in the employment of design 'agency' within these structures, as mentioned in the text:
"When architecture and urban design project their desire onto a vacant space, a terrain vague, they seem incapable of doing anything other than introducing violent transformations, changing estrangement into citizenship, and striving at all costs to dissolve the uncontaminated magin of the obsolete into the realism of efficacy." (112)

While design is about form, there is still plenty of potential in exploring the concept of terrain vague, as it offers the opportunity to give shape (both spatial and social) to an existing urban phenomenon of indeterminancy, tapping into the city inhabitants continual seeking of "forces instead of forms, for the incorporated instead of the distant, for the haptic instead of the optic, the rhizomatic instead of the figurative." (112)  It is still unclear how we use this, but further investigation should yield the possibilities of learning from this existing urban condition - not trying to recreate it, which is inevitably an exercise in futility, but looking at the ability to allow disorder, not fall into the trap of modernism in trying to rationalize and organize all of the spaces within a narrowly defined set of uses.  Can it work?  de Sola Morales posits that:
"Today, intervention in the existing city, in its residual spaces, in its folded interstices can no longer be either comfortable or efficacious in the manner postulated by the modern movement's efficient model of the enlightened tradition.  How can architecture act in the terrain vague without becoming an aggressive instrument of power and abstract reason?  Undoubtedly, through attention to continuity: not the continuity of the planned, efficient, and legitimized city, but of the flows, the energies, the rhythms established by the passing of time and the loss of limits... we should treat the residual city with a contradictory complicity that will not shatter the elements that maintain its continuity in time and space." (113)
More on this as we tie together threads of the 'terrain vague' with the ideas of 'heterotopias' and other models of indeterminate 'otherspace' in the urban context.  In classic urbanistic inquiry, the field of study has been identified, theorized, and classified - the translation of this into actions of architecture, urban design, planning, and landscape architecture - is another, more difficult jump.  But then again, that's the fun, no?

Originally published in 'Anyplace' - edited by Cynthia C. Davidson (1995) - citations here are from 'Center 14: On Landscape Urbanism' (Almy, ed. 2007)

Sunday, July 17, 2011

Reading the Landscape: The Emergence of Landscape Urbanism

The next essay from the Landscape Urbanism Reader is by David Grahame Shane, entitled 'The Emergence of Landscape Urbanism'.  This essay builds on Waldheim's essay and further elaborates on the origins of the theory - with a broad take on the historical foundations and precedents around landscape urbanism as mentioned in the introductory text: “Shane surveys the growing body of literature attendant to landscape urbanism, while tracing the institutions and individuals implicated in the discourse, especially as they relate to the disciplinary formations and discourses of urban design.” (17)


As far as defining landscape urbanism, Shane mentions that the concept "has recently emerged as a rubric to describe the design strategies resulting in the wake of traditional urban forms.” (58) and echoes Waldheim in describing it as encompassing: "the practices of many designers for who landscape had replaced architectural form as the primary medium of citymaking.  This understanding of decentralized post-industrial urban form highlighted the leftover void spaces of the city as potential commons.” (57-58) Furthering this defintiion that provides a way out of the current methodologies of urban design practice.

“Landscape urbanists want to continue the search for a new basis of a performative urbanism that emerges from the bottom up, geared to the technological and ecological realities of the postindustrial world… implies an opportunity open urban design out beyond the current rigid and polarized situation to a world where the past building systems and landscape can be included as systems within urban design.” (65)
Shane mentions this in terms of creating new "recombinations and hybridizations, liberating the urban design discipline from the current, hopeless, binary opposition of past and present, town and country, in and out." (65)  but does mention that although filled with potential as noted above, "All of landscape urbanism’s triumphs so far have been in such marginal and ‘unbuilt’ locations.” (62)  This is another common refrain from critics of landscape urbanism, and it is worth noting that the ideas of contemporary urbanism and its potential solutions are very different in distant open spaces as opposed to dense urban fabric, which is valid, but also misses the point that the theory is attempting to address this situation, not, as many posit, blindly accepting sprawl as a given and deciding to operate within the residual post-industrial or generic Koolhaasian fields of landscape within the periphery.  Rather there is a residual fabric of corridors, edges, and other surfaces that can be re-engaged within this ideology.


:: Louisville Waterfront Park - image via LouisvilleKY.gov

The precise operational dynamic of works of landscape urbanism is one thing - but to move beyond this and think of ways in which the concepts that interweave into practice is a different approach altogether.  The landscape urbanist project, if you would call it such, is addressing all of this (hence the term distiguished from the suburban), and Shane does explain that “The recent discourse surrounding landscape urbanism does not yet begin to address the issue of urban morphologies or the emergence of settlement patterns over time. The problems of this approach is its amnesia and blindness to preexisting structures, urban ecologies, and morphological patterns.” and concludes that “Landscape urbanists are just beginning to battle with the thorny issue of how dense urban forms emerge from landscape and how urban ecologies support performance spaces.” (63)


This essay is way to dense to capture in any detail, but does offer some thought provoking historical origins of theory spanning the last century.   The change in urban form and dynamics through this time period are exp
ressed by 'decompression', evolving from the ideas of Post-Fordist modes of production, deindustrialization leading to shrinking cities, and the resultant postmodern organization that "became obvious in the 1990s with the proliferation of sprawling cities, gated enclaves, residential communities, megamalls, and theme parks.” (59)

This context of contemporary urbanism is best captured by the provocatively wonderful 'City as an Egg' diagram from Cedric Price, which contrast three city morphologies "traditional, dense, ‘hard-boiled egg’ city fixed in concentric rings of development… the ‘fried egg’ city, where railways stretched the city’s perimeter in accelerated linear space-time corridors out into the landscape, resulting in a star shape… and the postmodern ‘scrambled egg city,’ where everything is distributed evenly in small granules or pavilions across the landscape in a continuous network.” (64)


:: City as an Egg - image via Archiable

A wide array of projects are included as examples.  Some are more obvious or oft-mentioned, such as the Parc de la Villette, Downsview, and Freshkills competitions, and also the East River Competition conducted by the Van Alen Institute.  There are some new ones, includingWest Market Square by West 8 (1994) which is a space owned, maintained and programmed by the city, but " which is also free at times to be occupied by local people of all ages, under the surveillance of cameras and local police.” (60) marking a new example of heterotropic space.  The New Town Competition entry from Koolhaas/OMA from 1987 is another precedent where the residential form is shaped by, in the words of Corner, "linear voids of nondevelopment." (60) hinting at the concept of privileged site over architectural form.


Other examples include the unbuilt Greenport Harborfront project in Long Island (1997), which is an example of  “the concept of ‘performative’ urbanism based on preparing the setting for programmed and unprogrammed activities on common land.” (59) which is reflective of some of the later work from Field Operations as well.  A built example of the idea, in a more architectural and site scale context, is the sculptural Osaka Ocean Liner Terminal by FOA, where the architects "turn the concept of the green roof into a dynamic, flowing, baroque parkland setting… Pier and park, two previously separate urban morphologies, are hybridized so as to become inseparable.” (65)


:: Yokahama Terminal - FOA - image via Matt Kingstreet

Shane references an even more extensive list of references, which provide some great historical precedents.   Many of these cover basic historical urbanism, such as the work of Kostof (The City Shaped, The City Assembled), history of the Western/US landscape by Slater and Conzen, and early 20th century writings on garden cities from Howard and regionalism, specifically 'Cities in Evolution' by Patrick Geddes from 1915.  Other writings include later writings of Lynch, Rowe, as well as McHarg's 'Design with Nature' and shifts to more contemporary discussions from Harvey and Soja for exploration of postmodern urbanism, writings from Guy Debord 'The Society of the Spectacle' from 1995 and the explorations by Garreau of the edge-city phenomenon from 1991.


::  Tyson's Corner Edge City

A fundamental aspect discussed by Shane is the connection to landscape ecology, specifically the work of Forman (Landscape Mosaics) and Forman & Godron (Landscape Ecology) and mentioning that its strength "is the consideration of the geographical landscape and the ecological cause-effect network in the landscape.”(61)  The connections of landscape ecology and its roots in Europe are important due to the differing relations between nature and culture (rather than just dealing with landscape sans humans).  As Shane elaborates:
"European land management principles merged with post-Darwinian research on island biogeography and diversity to create a systematic methodology for studying ecological flows, local biospheres, and plant and species migrations conditioned by shifting climatic and environmental factors (including human settlements.” (61)

Finally, the essays captures some of the more recent writings tied closely to LU theory, mentioning 'Stalking Detroit' (2001), 'Mississippi Floods' by Mathur & da Cunha (2000), 'Reclaiming the American West' by Berger (2002), 'Sub-urbanism and the Art of Memory' by Marot (2003), and 'Recovering Landscape' edited by Corner and published in 1999 - which i would consider a close precedent to the currrent discussion.  Stalking Detroit is also an important contribution, offering essays by Waldheim and Corner and provides context, within the prominent shrinking city model of Detroit for a changing city typology.  "After Ford' by Schumacher and Rogner, “provides a most convincing explanation for the relation between modern urbanism and Fordist economic imperatives, as well as the surreal spectacle of decay and abandonment found today in many North American industrial cities.” (57)


:: Shrinking Detroit - image via VIA Architecture

The work in Stalking Detroit, although unbuilt, provides some examples of potential operational methods of landscape urbanism.  One project discussed was Waldheim's 'Decamping Detroit', which illustrates a four stage process for recolonization of space in the shrinking city, including "Dislocation (disconnection of services); erasure (demolition and jumpstarting the native landscape ecology by dropping appropriate seeds from the air ); absorption (ecological reconstitution of part of the Zone with woods, marshes, and streams); and infiltration (the recolonization of the landscape with heteropic, villagelike enclaves.” (59)

 :: Decamping Detroit (Waldheim) - image via detroit disurbanism project

This context of deindustrialization and surburban sprawl is a consistent theme, moving away by necessity from the modernist planning ideology and including a different reading of the city, focus on urban morphology, activated with new strains of thinking from landscape ecology with a goal, as explained by Shane:  “A determination not to accept the readymade formulas of urban design, whether ‘New Urbanist’ or ‘generic’ urbanist megaforms a la Koolhaas.” (64)  The key this is a reversal of normal processes, which "opens the way for a new hybrid urbanism, with dense clusters of activity and the reconstitution of the natural ecology, starting a more ecologically balanced, inner-city urban form in the void.”(59)

Check out as well a longer version of this article from the Harvard Design Magazine (pdf) and I would highly recommend 'Recombinant Urbanism' from 2005 for an exhaustive study of urban modelling processes.