An Experimental Landscape Architecture

Coverage of some of Alan Berger's work with P-REX on the Pontine Marshes has appeared on mammoth, the most refreshingly non-architectural of architecture blogs, borrowing a note from BLDGBLOG and Pruned in their fascination with the large-scale landscape infrastructural interventions that don't seem to make the pages of all but a few 'landscape architecture' media outlets.



The most interesting aspect of this project isn't necessarily the function of big-infrastructure or the ability to use plants to purify polluted waters. It's the re-framing of these projects from engineering-scale solutions to designed ecological solutions - which rarely seems to happen in typical practice. From MIT News: "The conventional way of tackling the problem would be to build a series of large water-treatment plants in the area, which covers about 300 square miles. But Alan Berger...has another idea. Because some plants absorb pollutants as water flows by them, carefully designed wetlands can clean up the countryside while preserving its natural feel and providing public park space."



This isn't new thinking, as there are plenty of innovative ideas using natural systems approaches for water purification from wastes and pollution at a variety of scales. The beauty is the shift from a engineering-led solution - i.e. thinking about this as an engineered product and using natural systems as machines, with landscape as container - to one of a design ecology solution - i.e. using landscape fields and incorporating natural elements and systems by adapting them to the inherent machinic function of nature with the inclusion of civil engineering expertise. They can inherently be design problems in need of a scientific and engineering back-up - which is a much more fruitful interdisciplinary strategy.

Make it a science or engineering solution - and rationalism will trump all. While we do use natural engineering and have been for years, rarely do we take a landscape architectural approach to these projects by infusing cultural and form-making aspects intertwined with physical composition.



Landscape architects often get pushed to the side when dealing with complex engineering challenges, due to the idea of technological rigor lacking in professional practice. To be honest, this is probably one of our professional failings - and one that will take time to mend as we gain in knowledge, but more importantly increase credibility as technically proficient professionals from our scientific and engineering peers.

While the recent push-back from designers to become more fluent in systems thinking and engineering has led to some interesting hybridization of projects, there is still significant silos in real practice regimes - and big infrastructure is still typically 'designed' by big engineering. So, do we need to become engineers to gain the professional foothold in these projects, or will projects like Berger's work lead to an expansion of the professional breadth of practice? I sure hope so - but it's going to take a professional movement, not a few projects and designers to achieve this. We need to forget the tired art v. science dilemma that has held us back and embrace both aspects equally - maybe spending a bit more time on the science to play a bit of catchup.

In the case of the Pontine project, which has been covered many places over the past few years, the idea of scientific experimentation is at the heart of this recent post showing small scale models to test design strategies. While mockups and small scale modeling of formal qualities is still relatively common - how much of that is science-based in a way that informs design solutions?


:: image via mammoth

This is an obvious gap in landscape architecture practice in need of some serious- one of the ways we as a profession can proactively approach to the problems of science fused with design. The need to reframe practice as more close to the definition (engaging in an activity again and again, for the purpose of improving or mastering it) versus the idea of merely doing work, is necessary. But we also need to engage different partners such as research institutions and universities - much in the same way theory needs to inform practice, science also needs to inform, and be informed by design.

In the case of the experiments for Pontine, some explanation on the plans from Berger that take advantage of the university setting to incorporate ways of testing before installation. Via mammoth: "Berger’s solution is to have the water move through an S-shaped course that slows it down to a speed well under one mile per hour. The Italian engineers of the 1930s built perfectly straight canals, since they were simply concerned with transporting water efficiently. But forcing water to meander through winding channels in a wetlands gives more water molecules the best chance of being purified. ”Inefficiency is how environmental systems work,” says Berger."

As mammoth points out, the experiments based on the above design goals allow for preemptive discourse about the final product. This is a different tack for landscape architecture, which either operates on a notion of applied scientific theory (use science to inform design) or on post-occupancy testing (use science to - but rarely doing scientific experimentation of actual design solutions - even those with high levels of ecological rigor: "This is an experimental landscape architecture. Not experimental in the usual sense within architectural disciplines — where it is more or less a synonym for radically avant-garde (though this is by no means a condemnation of such architecture) — but experimental in the scientific sense, rigorously testing the performance of various forms, to design a landscape which incrementally advances away from its predecessors. If we’re going to move beyond talking about designing post-natural ecologies towards actively constructing them, then developing modes of practice that incorporate experimentation will be essential. (Next: peer-reviewed landscape architecture.)"

I'd posit there is more of this going on than we know of, perhaps in the design/science firms that are blending landscape architects with ecologists and other scientists. But rarely if ever is the scientific inquiry part of the design process - and I love the idea of peer-reviewed project work where folks can interject into the success or failure of project components. Perhaps this is the new dimension of landscape architecture criticism.

Can we seriously undertake ecosystem design, even that which is based on existing science, without a methodology of experimentation to prove-out these new design solutions. Much of what we are designing and installing simply just doesn't work. We need to be better informed before and during design processes, and do a better job of incorporating scientific testing afterwords if we truly want to become leaders, and not reactive followers to engineers and ecologists, to the scientific dimensions of our profession.

Coverage of the project in more detail is found at MIT News, along with a link to a video of the installation:

Clinton Condominiums

Not specifically 'landscape' focused, but a wonderful juxtaposition of materials is found on the Clinton Condominiums at SE by Holst Architecture. I think it's a great example of mid-density infill within the context of a commercial street corridor. All photos (c) copyright Jason King, 2010





This is one of my favorite buildings in Portland, with a delicate composition of cor-ten steel, ipe wood siding, and baby blue elements transposed on different sides of the building facade. When I had a chance to snap a few shots of last week while on a site visit in SE Portland a thought I'd post them here.



The wider view towards the Northeast gives the balance of the cor-ten and translucent panels work will together in tandem. Both materials seems to change nature in different lighting conditions, showing their true form in the dull gray of the day these photos were taken.



The opposite facade takes a difference character, with vertical slats of ipe wood siding giving a much warmer facade towards the adjacent residential areas. The dynamic of the cor-ten is one thing (as you see from the different hues on each side of the building). Arranged with two equally appropriate yet different materials of wood and translucent panels gives the building an added dimension of interest - even compared to many other buildings by Holst, which seem often to stick to a very minimal 2-material palette.



The ipe is taken down to street level to provide softening of facades. I particularly like the use of a range of different color types to generate a bit more interest, particularly in areas where there is a lot of wood such as these service doors.



The building of course is defined by the extensive use of cor-ten steel, which is installed in panels with stainless steel hardware, which provide some additional metering of the facade due to the dramatic contrast of the rust v. shiny interplay.



The definition of cor-ten as 'weathering steel' is evident as a living skin that is always changing in subtle ways over time and seasonally as the material displays evidence of time and process in simple ways.



An interesting feature of buildings making use of cor-ten is the process of imprinting ground plane surfaces over time due to rust staining - in this case the surrounding sidewalks. I'm not against this as a way of subtly connecting site to building - even more important in zero lot-line development where landscaping is virtually non-existent. The image below shows a reflection of the rusted canopy above in perfect shape on the concrete below.



The opposite side of the building is the automobile access area, which is less successful in creating the subtle connection, and begins to look more like a mistake than a happy coincidence of merging materials.



The attention to the interrelationship of building materials is simple and brilliant and makes the building a gem. The connection to the site needs to have that same level of attention and purpose, being able to turn what I'm sure was a known quantity of inevitable concrete staining into something wonderful, instead of detracting from the pedestrian experience - how most people interact and view this building.

Earth Day Humor

As a staunch advocate of Earth Day Every Day - the actual date of the big historic 40th anniversary is somewhat unimportant. Much like volunteers rushing to soup kitchens on Thanksgiving - then leaving them abandoned the remainder of the year - the day (or week) offers myriad opportunities for getting out to do service projects, which is great, but isn't just a one-off activity.


:: image via Treehugger

Alas Earth Day is a reminder of how we should live all the time, so as special as the day is, the actual spirit should live on much longer. Treehugger linked to a great site SomeeCards - that offers up a wonderful slice of tongue-in-cheek references to this fine Earth Day worthy of a chuckle or two.


:: image via Treehugger